Entre-temps

Fifty walkers make their way single file through the city, their faces covered by mismatched oddments and ordinary scraps. Here and there one can make out a mouth or an expression. Their progress is slow, erratic. Music is what binds this motley crew together. Slowly, they tramp through both inhabited and fallow landscapes, along a river, on various byways. How long have they been walking?

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A L’orchestre d’hommes-orchestres production presented by National Art Center English Theatre’s Grand Acts of Theatre.

Design and musical direction : L’orchestre d’hommes-orchestres

Music : L’orchestre d’hommes-orchestres, Benoît Fortier, traditional Georgian chant, traditional Brazilian rythms (interpreted by La Maracatu) and traditional klezmer music (interpreted by La Sainte-Nigoune)

Costumes and masks : L’orchestre d’hommes-orchestres and Danielle Boutin

Performance : Claude Amar, Noémie Beaudet, Josiane Bernier, Laetitia Bertino, Magali Besnier, Bradley Boss, Bruno Bouchard, Margot Bouchard, Arsène Bouchard-Thivierge, Émile Bouchard-Thivierge, Marie-Jorge Boudreault, Gabrielle Bouthillier, Danielle Boutin, Laurence Brunelle-Côté, Louis Carrier, Stéphane Chénard, Jasmin Cloutier, Zachary Crowley Delorme, Flavie Dufour, Simon Elmaleh, Anthony Ferland, Aube Forêt, Benoît Fortier, Claudia Gagné, Claudie Gagnon, Marie-Pier Genest, Carlos Heanrique Fernandes Cavalcanti Feitosa, Vivian Labrie, Pierre Langevin, Alice Le Breton, Justine Le Breton, Rose Lemoine, Pierre-Luc Lepage, Philippe Lessard-Drolet, Nadine Lizotte, Auréliane Macé, Mario, Charlotte Mentzel, Natacha Mercure, Sam Murdoch, Flavia Nacimiento, Danya Ortmann, Dasha Ortmann, Sophie Pomerleau, Liette Remon, Vincent Renaud, Marie Tan, Célestine Uhde, Dominique Uhde, Camila Vasconcelos, Mario Veillette and Karina Werneck Assis

Event production management : Marie-Ève Dumais and Mario Demers

Stage management : Cindy Goulet, Berme Milemba, Anastasie Tulungu and Fernanda Vargas Freire

Photography : Vincent Champoux

The project was made possible thanks to the support from the Jenepher Hooper Fund for Theatre at the National Arts Centre Foundation.